Some records push boundaries so far that they reshape an entire genre. Demilich’s Nespithe is one of those records. Released in 1993, it’s a death metal album unlike any other, a swirling vortex of dissonant riffs, mind-bending structures, and the most otherworldly vocals you’ll ever hear. If you’re serious about collecting extreme metal vinyl, Nespithe is an essential, both for its rarity and its towering influence on technical and experimental death metal. But let’s be clear—this isn’t just an album; it’s a statement, a bold experiment in what death metal could be.
No conversation about Nespithe is complete without mentioning Antti Boman’s vocals. You’ll hear all kinds of descriptions—“burping,” “frog-like,” “alien”—and none of them are too far off. Boman’s gutturals are a beast of their own, deeper and more bizarre than anything attempted in the genre before or since. They’re impossible to imitate and often just as hard to understand, but they fit Nespithe perfectly.
In fact, those vocals are a key part of the album’s appeal. They aren’t designed to terrify like traditional death metal growls, but to confuse, intrigue, and mesmerize. You could almost call them anti-vocals, pushing the boundaries of what vocal performance in metal could be. And yet, they don’t overshadow the music. Instead, they blend into the chaos, becoming another layer of the strange, spiraling madness that is Nespithe.
If you’re a collector of death metal, this album offers one of the most unique vocal performances ever committed to vinyl. It’s not just a record, it’s an artifact of a time when death metal was still willing to throw all the rules out the window and see what stuck.
Let’s talk about the riffs, because Demilich’s guitar work on Nespithe is as much a hallmark of the album as the vocals. It’s as if the band sat down and asked themselves, “How can we make riffs that defy logic but still groove?” The result is a collection of some of the most abstract, dissonant, and flat-out weird riffs you’ll ever hear in death metal. Yet, they work. Somehow, amidst the madness, Demilich found a way to make their riffs catchy—at least after a few listens.
This isn’t your standard neck-snapping death metal. Sure, there’s heaviness here, but it’s coated in a layer of jazz-like technicality. At times, you can almost hear the band smirking as they play these serpentine riffs, knowing full well that nobody had ever heard anything quite like it. For collectors, this is the kind of album that challenges you every time you spin it. It’s an experience, not just another heavy record to add to the shelf.
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Demilich wasn’t just interested in death metal. Their sound is shot through with jazz and avant-garde influences. This isn’t the smooth, swinging jazz of a Sunday afternoon. No, this is jazz as interpreted by aliens. The time signatures shift and contort, the guitars slip and slide between dissonant chords, and the drumming dances around the riffs in ways that shouldn’t make sense—but somehow do.
What makes Nespithe so captivating is that, for all its technicality, it never loses sight of being death metal. It’s still brutal, still heavy, but it’s not interested in pummeling you into submission like many death metal albums. Instead, it’s about exploration—seeing how far they can stretch the genre without breaking it. It’s a sonic puzzle, one that demands repeated listens to fully appreciate.
Here’s the kicker: Demilich only released one album. Nespithe is their sole full-length, which makes it even more special. After this, the band disappeared, leaving behind a legacy that has only grown in stature over the years. There’s something incredibly satisfying about owning an album that feels so complete, knowing that no follow-up could have matched its bizarre brilliance. Demilich knew they’d created something that couldn’t be topped, so they didn’t even try.
For vinyl collectors, this makes Nespithe an even more sought-after gem. Original pressings are rare, and every reissue is snatched up quickly. Its rarity, combined with its influence, makes it one of the most coveted pieces in extreme metal collections.
If you’re serious about death metal and its weirder, more technical offshoots, this is a record you need in your collection. Explore more essential ’90s vinyl here or dive deeper into metal vinyl treasures here.